miércoles, 12 de diciembre de 2012
martes, 11 de diciembre de 2012
Varying Diction
Garner (p. 143): gather or collect.
Fester (p. 143): (of a negative feeling or a problem) intensify, especially through neglect.
Prognosis (p. 145): a forecast, especially of the likely course of a disease or ailment.
Prerogative (p. 147): a right or privilege exclusive to a particular individual or class.
Acquiesce (p. 147): accept or consent to something without protest.
Stout (p. 149): rather fat or heavily built.
Ascetic (p. 149): characterized by the practice of severe self-discipline.
Quarry (p. 150): a person or thing being chased or sought.
Rascal (p. 151): a mischievous or impudent person, especially a child.
Forlornly (p. 153): pitifully sad and lonely.
Fester (p. 143): (of a negative feeling or a problem) intensify, especially through neglect.
Prognosis (p. 145): a forecast, especially of the likely course of a disease or ailment.
Prerogative (p. 147): a right or privilege exclusive to a particular individual or class.
Acquiesce (p. 147): accept or consent to something without protest.
Stout (p. 149): rather fat or heavily built.
Ascetic (p. 149): characterized by the practice of severe self-discipline.
Quarry (p. 150): a person or thing being chased or sought.
Rascal (p. 151): a mischievous or impudent person, especially a child.
Forlornly (p. 153): pitifully sad and lonely.
domingo, 9 de diciembre de 2012
Studying Perry’s Past
Capote returns to talking about Perry and Dick, the two first suspects
of the murder. However, he does not talk about their present situation or their
whereabouts. Instead, he begins to describe Perry’s past in a very organized
and precise manner. Capote depicts the main characteristics of Perry’s life
that probably led to make the actions he might have committed. This is
exemplified when the narrator explains, “The other children were put in homes
as I could not manage to take them all in my home and them being part indian
blood and welfare took care of them as I requested” (Capote 127). I realized
Perry had a very difficult life and this probably affected his way of thinking.
I found it very interesting to see the detail in which Perry’s father descried
his son. It seemed as if he had been there for him his entire life and had
never left him. Also, Perry did appreciate this manuscript as he thought it was
the only valuable thing his father had actually done for him.
Perry’s
experience in jail affected every single member of his family, from his father
to his siblings and their families. It is impressive to see the way in which
Perry talked in a harmful way about his father. This is evidenced in the letter
written to Perry while he was in jail saying the following: “Dad has lived
& you show ignorance in calling him uneducated and unable to understand
´the scientific meaning etc´ of life’s problems” (Capote 141). Even though his
father had always loved him and cared a lot for him, Perry never actually
valued him and felt him close. On the other hand, he felt very close to
Willie-Jay, a man who he met in jail and wrote some critics and analyzed the
letter from his father. Perry value more a person who he just met and did not
know him nearly as much as his father than his father who had given him all his
attention throughout most of his life. Although this way another sharp change
in style in the book, I believe it was completely necessary, since knowing some
background information about the characters allows the reader to understand the
actions in the literary present.
jueves, 6 de diciembre de 2012
A Hurt City and Sudden Changes
After Reading the next portion of In
Cold Blood, it is important to highlight that Capote spends a lot of time
describing the consequences of the murders and how they impacted the community.
The death of the Clutters not only affected the close friends of the family,
but the entire town. The whole neighborhood had changed. The trust that reigned
over that community had shattered, since they suspected the assassin was among
them. A community that does not work together and trust each other will go
nowhere and will experience no progress at all. Therefore, Garden City was
doomed to live without any activity for quite a long period of time. To avoid
this from happening, Mr. Howard Fox, Bonnie Clutter’s brother wrote, “The deed
is done and taking another life cannot change it. Instead, let us forgive as
God would have us do” (Capote 107). The people of the city probably believed
Fox and started to return to live a normal life, but the fear still remained.
I
found it very interesting to observe how Capote kept us thinking all the way
through that Perry and Dick were the murderers. Through their insights and
their thoughts, I had no doubt that they were the murders. However, suddenly,
another character, Jonathan Daniel Adrian, appears and is now considered the
main suspect of the crime. This sudden shift in attention by the audience from
Perry and Dick to Adrian also causes a total shift in focus by the book. The
narrative reaches a point of very high suspense when the narrator states, “Because,
inside the car, what they’d found was a .12-gauge shotgun. And a hunting knife”
(Capote 123). This has to be the killer! However, I am now more hesitant to
take this fact for certain since last time I took such a stance I was proved wrong.
The authorities have solid clues now that are expected to lead them to the
criminal(s).
miércoles, 5 de diciembre de 2012
The Other Side of the Story
After thoroughly describing the whole Clutter family and their
relationships both among them and with their community, Capote now turns to
describe the other face of the event. This occurs in a very sudden manner. It
is a jump from one extreme to the other. I found it very surprising to see the
instant change of location and atmosphere when the narrator states, “Approximately
four hundred miles east of where Arthur Clutter then stood, two young men were
sharing a booth in Eagle Buffet, a Kansas City diner” (p. 89). At first, this
seems like a random comment, but further on in the reading, I could connect
several points. First, it is important to highlight that Capote introduces Arthur
Clutter, at least in this part of the book, in order to link what he said about
the murderers being very close to where they were standing and the story of the
murderers. He does this in a way which is very sudden and unexpected by the
reader, but at the same time it still is connected to the trajectory of the
book.
As I
kept on reading, I learned through Capote’s detailed descriptions about the two
murderers and their chains of thought. I found it impressive to observe can
give such a great amount of information in only a sentence. For example, when
Perry says, “Anyway, I don’t believe it. Neither do you. Own up, Dick. Be
honest. You don’t believe this no-clue stuff?” (p. 89). Here, one can see that
Perry is the dominant individual of the two. He assumes and almost forces Dick
to think the same as he does. Also, I can infer that they are both very nervous
about being caught, but are trying to disguise this anxiety by reassuring each
other that the police of the town is not that intelligent in order to find out
it was them. However, the main question still remains unanswered: Why were the
Clutters murdered? Hopefully, with the opposite perspective of the murderers some
clues will be given out.
sábado, 1 de diciembre de 2012
Don Juan: A Rhetorical Masterpiece
Yesterday I went to see the play Don Juan in school. I
did not know what to expect, since I had never heard of it and was not
familiarized with it. It turned out to be a great performance with very good
actors and props. I truly enjoyed it and laughed a lot all throughout it. In
addition to the entertainment the play provided, it is also very important to analyze
the rhetoric behind the play. I found it very interesting to observe how most
of the characters manipulated pathos in the audience. For example, the people
at the Mexican beach, through their gestures and facial expressions,
demonstrated their disgust toward the excited lifeguard. Also, the woman with
the baby in the beach demonstrated her emotions of frustration toward Don Juan
in a way that she transmitted the feelings to the audience and manipulated
their emotions. Finally, Don Juan’s servants portrayed fear and lack of bravery
on several occasions.
Ethos
was another one of the modes of rhetoric manipulated throughout the play. Don
Juan’s mother from the very beginning established her character as an
authoritarian and furious person. This allowed her to set her stance and to transmit
her lines in a way that the audience would realize the certainty and directness
with which she delivered her arguments. On the other hand, Don Juan’s servant
established his character as a rather fearful and humble individual. This
contributed to enhancing his character not only through his lines, but through
his personality. It was impressive to see the last scene of the play, where Don
Juan was devoured by all of the people he had dealt with. This might show how
you are responsible for all your actions and sometime you will pay for all that
you have done.
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